Jim

Two stage settings for "our God" by Chris Tomlin. The first version is dynamic Rhodes and pad for use like the original version of the song. The second stage setting is for the "live" version with the strings, pad and electric guitar. Knob 4 turns on/off the electric guitar layer. Sound cloud link for version 1: https://soundcloud.com/jdiddly/our-god-1 Sound cloud link for version 2: https://soundcloud.com/jdiddly/our-god-2

Two stage settings for "Feels Like The First Time" by Foreigner. The "Feelslike" stage setting has an arpegiattor for zone 1 on "hold"/latch with some portamento added within the upper register key range from "G7" upward at the top of the keyboard. The rock organ on zone 2 has control over the rotary speed on slider 1 between fast and slow. The "Feels Lk2" stage setting has the lead sound for this song in a hexlayer with portamento. The soundcloud link for both sounds is found here: https://soundcloud.com/jdiddly/feels-like

Two stage settings for the song "Heart of Glass" by Blondie. The first has the electric guitar, and the second has the organ. Souncloud link can be found here: https://soundcloud.com/jdiddly/heart-of-glass

Stage setting for "Derezzed" by Daft Punk from the movie "Tron Legacy". Also, the phrase is attached for the drum loop. Use the K2, K3, or K4 knobs to sweep your EQ, or use sliders 1 and 2 to change your cutoff and resonance while the arpeggiator is going. Here's the Soundcloud link recording: https://soundcloud.com/jdiddly/derezzed

There was a question this week on the Facebook group requesting something from Tron Legacy. So here goes... Stage setting for the song "Son of Flynn" by Daft Punk from the Tron Legacy soundtrack. I have a 9 year old son obsessed with this movie (the apple doesn't fall far from the tree since I was a teenager when the original Tron came to the theaters and was a fan ever since). Use slider 2 to control volume on the horns. The trick with the right hand is to not over think the chords but use only triads to keep with the arpeggiator programmed to the song style using tertiary arpeggios. Here is the soundcloud link: https://soundcloud.com/jdiddly/son-of-flynn

Stage setting for "Whom Shall I Fear (God of Angel Armies)" by Chris Tomlin. Only zone 1 used for this stage setting with a hex layer in that zone. The sliders are as follows: slider 1 / volume for layer 1 / piano from C5 and below slider 2 / volume for layer 2 / Synvoice pad / full keyboard slider 3 / volume for layer 3 / Violinsection - pad / full keyboard slider 4 / volume for layer 4 / Jazzorgan / C4 and above slider 5 / volume for layer 5 / piano / C4 and below slider 6 / volume for layer 6 / stereostrings / C5 and above Here's the soundcloud link: https://soundcloud.com/jdiddly/whom-shall-i-fear

Stage setting for "This Is Amazing Grace" by Phil Wickham. Here's the soundcloud link: https://soundcloud.com/jdiddly/this-is-amazing-grace

Stage setting for "The Lord Our God" by Kristian Stanfill. Here's the soundcloud link: https://soundcloud.com/jdiddly/the-lord-our-god

Two stage settings for "Song of Hope" by Robby Seay Band. Here's the soundcloud link: https://soundcloud.com/jdiddly/song-of-hope

Three stage settings for "Rock of Ages" by Charlie Hall. Here is the soundcloud link: https://soundcloud.com/jdiddly/rock-of-ages As an added bonus: the first stage setting can be used to play "What A Fool Believes" by The Doobie Brothers. I like to get the drummer in my band going on that and its a running joke sometimes at practice sessions. Here's the "What A Fool Believes" soundcloud link: https://soundcloud.com/jdiddly/what-a-fool-believes

Three stage settings for "Relentless" by Hillsong United. For the first stage setting: use sliders 2 and 3 to control the volume on zones 2 and 3 to bring up the two separate arpeggiated zones like in the original recording. Here is the soundcloud link: https://soundcloud.com/jdiddly/relentless

Stage setting for "Our God Is Love" by Hillsong. Tremolo effect distortion guitar over a pad. Here's the soundcloud link: https://soundcloud.com/jdiddly/our-god-is-love

Stage setting for "Oceans (Where Feet May Fail)" by Hillsong. The pad is in the upper register of the keys on zone 2 which has pedal 2 set to sustain and slider 2 controls the volume. Slider 4 controls volume on the Glockenspiel in zone 4. Slider 1 for volume of the piano and slider 3 for volume of the warm pad. Here is the soundcloud link: https://soundcloud.com/jdiddly/oceans

Two stage settings for "The Lost Are Found" by Hillsong. The first is the EP/strings and the second is the piano with delay. Here's the soundcloud link: https://soundcloud.com/jdiddly/the-lost-are-found

Stage setting for "Lord I Need You" by Matt Maher. Slider 2 controls the volume for the arpeggiated strings. Here's the soundcloud link: https://soundcloud.com/jdiddly/take00wav

Three stage settings for "Holy Spirit" by Bryan and Katie Torwalt. Pad (sliders 1 & 2 are cutoff & resonance), piano/pad, and organ (I use the chorus on slider 3 to emulate the dsp for that part of the track). The soundcloud link is here: https://soundcloud.com/jdiddly/holy-spirit

Two stage settings for the song "The Stand" by Hillsong United. The first file is the pad setting. Sliders 1 - 6 control layer volumes for each of the six layers in the hexlayer tone in zone 1. Knob 4 turns on/off the distortion guitar in zone 3. This zone (distortion guitar) has an automated arpeggiator set to the note A7. Knob 3 controls the zone 4 volume for the EP also with an automated arpeggiator set to the note A7. You will note the Arpeggiator Hold is turned on for the stage setting. Zone 2 is for another EP on the notes F#6 and C#7. The second file is like the "pad" file above only it adds in piano in zone 3 in lieu of the distortion guitar. The arpeggiator is turned off on this stage setting, but will still arpeggiate the EP like in file 1 as above if needed. The soundcloud link is here: https://soundcloud.com/jdiddly/the-stand

Two stage settings for "Here Is Our King" by David Crowder Band. Here's the soundcloud link: https://soundcloud.com/jdiddly/here-is-our-king The cutoff and resonance are on knobs 1 and 2.

Two stage settings for "Here For You" by Matt Redman. Here's the soundcloud link: https://soundcloud.com/jdiddly/here-for-you

Three stage settings for "Happy Day" by Steve Fee or the Tim Hughes version. I used elements from both songs in these 3 files. The arpeggiated bass is like Steve Fee and the use of the sweep pad is like Steve Fee. The string lead part is like the Tim Hughes version. This is the way we like to perform it in my band. Here's the soundcloud link to hear the three stage settings: https://soundcloud.com/jdiddly/happy-day

This is a stage setting for "The Grand Illusion" by Styx. Awesome song, awesome album. Oldie and still a goodie. Here's the soundcloud link: https://soundcloud.com/jdiddly/grand-illusionwav

Two stage settings for "Give Us Clean Hands" by Charlie Hall. First is the tremolo EP using Dave Weiser's wonderful EP as a template in the bottom end and the lead in the right hand. Second is just the tremolo EP alone. Here is the soundcloud link: https://soundcloud.com/jdiddly/give-us-clean-hands

Two stage settings for the song "Furious" by Jeremy Riddle. Here's the soundcloud link: https://soundcloud.com/jdiddly/furious

Two stage settings for "Christ Is Risen" By Matt Maher. Here's the soundcloud link: https://soundcloud.com/jdiddly/christ-is-risen

Stage setting for "Came To My Rescue" by Hillsong United. Sliders 1 to 4 control each zone's volume. I usually leave the Warm Pad on zone 1 alone and adjust up zone 2 Rock Organ and raise/lower zones 3 and 4 to suit. Here's the soundcloud link: https://soundcloud.com/jdiddly/came-to-my-rescue This SS also makes for a nice pad with control of the drive rotary speed via DSP parameter change on the rock organ zone by use of the modulation wheel. The mod wheel only affects zone 2/rock organ.