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Found 17 results

  1. Pad : Phrase - Art 1 - Art 2 - Art 3 TOne : Dist Guitar 1 + Custom Distortion Effect Download :
  2. The forum seems to have gone to sleep as far as any new Casio official tone downloads is concerned. I would like to have some realistic strummed guitar sounds on my PX-560. Can only find the Guitar Pack foe PX-5S. I would also like more details about the problems solved by V1.15 firmware upgrade please. That is, Casio-people is it worth the trouble?
  3. Version 1.0.0

    96 downloads

    HANK1.ZTN Sampled tone of the classic Fender Strat sound of Hank Marvin of the Shadows - 10MB Enjoy Pete :-)
  4. Version 1.0.0

    69 downloads

    This uses the same samples as in my "HANK1.ZTN" file and is about 10MB (it just has Tremolo effect assigned) Wasn't sure if MZ shares samples or not so if you load both you may use up another 10MB Enjoy Pete
  5. Version 1.0.0

    80 downloads

    Just a tone using internal sounds like the muted guitar of Hank Marvin of the Shadows Cheers Pete
  6. Hi Guys Loving this MZ – have just attempted my first sampled “tone”. I have created the Fender Strat sound of “the Shadows” (Hank Marvin) – for any of you old enough to remember them I have placed them in the download areas for the MZ and hope you find it useful but more importantly would love to know if I’ve done it OK – still have a lot to learn. I used the SampleManager software and it worked brilliantly – loaded note samples C & G from C2 to G5 – dropped the final Tone one octave. I have uploaded 3 Tones in the MZ-X>>MZ-X500 Downloads section:- “Hank1.ZTN” - full sample (10MB) “HankTrem.ZTN” same sample as Hank1 but uses “Tremolo” effect (10MB) “HankMute.ZTN” – uses internal tone Now here are a couple of questions (please):- 1. I am assuming that by loading Hank1 (10MB) and HankTrem (10MB) that the SAME samples, are loaded twice – if so then this is inefficient and might be better to load Hank1 and then edit it with Tremolo effect added and save a second Tone rather than load HankTrem 2. Is there a way I can see how much sample space is remaining (sorry if it’s in the manual!!!) (EDIT: found that one!!) Thanks Pete
  7. Version 1.0.0

    184 downloads

    Load PX-560M Steel DIRE STRAITS Tone in Group Name: GUITAR Load PX-560M Steel DIRE STRAITS Tone in Upper 1 recommended for "Private Investigations"
  8. Version 1.0.0

    162 downloads

    Load PX-560M NYLON DIRE STRAITS Tone in Group Name: GUITAR Load PX-560M NYLON DIRE STRAITS Tone in Upper 1 recommended for "Private Investigations"
  9. Hello guys! I made some mixes and inserted some effects into some guitar tones for MZ-X500. Try it out! GUITARRA.ZTN
  10. Hi, I am new in the comunity, and i hope to stay for a while .... I really like the PX560, im looking for a good piano and for a one man solo band piano... i like the arrangers.... but there is not arangers with 88 keys (i mean in that price range... less than 1200)... anyway, is the internal sequencer of the px560 powerful enough?.... well i really like to play main instruments along with some acompaiment styles and have some control of changing the sounds while i play.. I am planning to use some midis (smf files) and create some arrangements.... the PX560 has a midi player? Im wondering if some of the demos that Bradz made with the MZX500 and Px-5s are possible in the PX560M.... i love all that electro, orchestra and synth sounds. Finally i wonder if there is a demo or maybe you can help me with a distorted guitar demo, with some leads and riffs... i just want to play some rocking leads!! Sorry for having all those questions Thank You.
  11. 671 downloads

    From David Weiser of WeiserSound. Weisersound Casio PX-5S Promo Pack I’ve created this set of five Stage Settings as a small token of my appreciation for both Casio and the Casio user community. I’m thrilled to be working as both a programmer and dealer with a company that gets it right in so many areas. For this set I tried to strike a balance between practical sounds (like the guitars) and ones intended more for exploration/fun. For those who wish to do their own programming, these programs are set up to be reverse-engineered. They can serve as templates and starting points, with sliders and velocity layers already assigned and ready to tweak. Here’s a quick description for each:. Brimstone Calliope Based on a few sounds I use on Broadway and touring shows like Les Mis and Mary Poppins, this one is meant to be large and menacing, full and loud. It’s a big pipe organ, with harpsi in the left hand for bite and celeste in the right hand (triggered on key-up) for some sparkle. Phocoder With multiple band-pass filters responding to envelopes and velocity, this one is meant to emulate the sound of a vocoder, a classic gadget that combines the sound of a synth with tone controls being driven by a vocal mic. (Think Mr. Roboto by Styx or Daft Punk’s Get Lucky.) Works well in any songs where you’d normally play sampled horn or poly synth parts. Touch response drastically affects the sound, responds to the full range of soft and hard dynamics. Semi-Hollow The first of two “triple strike” guitar sounds, this one is based on a Gibson ES 335. The softest velocity strike triggers and un-pitched mute, medium velocity triggers a pitched mute, hard velocity triggers a full sustained note. The lowest notes on the keyboard trigger additional un-pitched mutes. The un-pitched components might take a bit of getting used to, but they are key to providing realism by introducing “happy accidents” and a random element. This helps offset the static quality inherent in guitar samples played from a keyboard. The right most sliders control effects - chorus, delay, reverb. The chorus sends a chorus signal to delay and reverb (as a real guitar rig would, so you’re hearing chorus in the echo and reverb and not a dry signal) - these sends cannot be mapped to sliders. So when chorus is enabled you’re also going to get some delay and reverb. These can be disabled by hitting EDIT > Stage Setting > System Effects > Chorus > reverb and delay send levels. TouchStrat Another triple strike guitar, this one is based on the Fender Stratocaster. It’s twangy in the lower notes, with a more rounded tone above C5 better suited for soloing. All of the above notes on un-pitched and muted layers and chorus/effects behavior apply to this one as well. Tricorder A spacey sort of synth-string sound that triggers a major triad on key-down and a different inversion of the triad on key-up. Loosely inspired by the score from the animated sci-fi film Light Years (written by Isaac Asimov). Be sure to play with the first two sliders that affect filter frequency and resonance. One cool trick is play single notes with tri-tone intervals (for example: C4 - F#4 - C5 - F#5) across the keyboard. I hope you enjoy the sounds! Feel free to contact me if you have any questions or need anything keyboard-related. My other sound sets for PX-5S: Gig Piano: http://www.weisersound.com/#!casio-gig-piano/cfwa Pro Strings: http://www.weisersound.com/#!casio-pro-strings-pack/c210t Pro Bass: http://www.weisersound.com/#!casio-pro-bass-pack/c1n7t My dealer page for PX-5S: http://www.weisersound.com/#!casio-px-5s/c5g8
  12. File Name: WeiserSound Promo Pack File Submitter: Mike Martin File Submitted: 16 Jan 2016 File Category: Miscellaneous From David Weiser of WeiserSound. Weisersound Casio PX-5S Promo Pack I’ve created this set of five Stage Settings as a small token of my appreciation for both Casio and the Casio user community. I’m thrilled to be working as both a programmer and dealer with a company that gets it right in so many areas. For this set I tried to strike a balance between practical sounds (like the guitars) and ones intended more for exploration/fun. For those who wish to do their own programming, these programs are set up to be reverse-engineered. They can serve as templates and starting points, with sliders and velocity layers already assigned and ready to tweak. Here’s a quick description for each:. Brimstone Calliope Based on a few sounds I use on Broadway and touring shows like Les Mis and Mary Poppins, this one is meant to be large and menacing, full and loud. It’s a big pipe organ, with harpsi in the left hand for bite and celeste in the right hand (triggered on key-up) for some sparkle. Phocoder With multiple band-pass filters responding to envelopes and velocity, this one is meant to emulate the sound of a vocoder, a classic gadget that combines the sound of a synth with tone controls being driven by a vocal mic. (Think Mr. Roboto by Styx or Daft Punk’s Get Lucky.) Works well in any songs where you’d normally play sampled horn or poly synth parts. Touch response drastically affects the sound, responds to the full range of soft and hard dynamics. Semi-Hollow The first of two “triple strike” guitar sounds, this one is based on a Gibson ES 335. The softest velocity strike triggers and un-pitched mute, medium velocity triggers a pitched mute, hard velocity triggers a full sustained note. The lowest notes on the keyboard trigger additional un-pitched mutes. The un-pitched components might take a bit of getting used to, but they are key to providing realism by introducing “happy accidents” and a random element. This helps offset the static quality inherent in guitar samples played from a keyboard. The right most sliders control effects - chorus, delay, reverb. The chorus sends a chorus signal to delay and reverb (as a real guitar rig would, so you’re hearing chorus in the echo and reverb and not a dry signal) - these sends cannot be mapped to sliders. So when chorus is enabled you’re also going to get some delay and reverb. These can be disabled by hitting EDIT > Stage Setting > System Effects > Chorus > reverb and delay send levels. TouchStrat Another triple strike guitar, this one is based on the Fender Stratocaster. It’s twangy in the lower notes, with a more rounded tone above C5 better suited for soloing. All of the above notes on un-pitched and muted layers and chorus/effects behavior apply to this one as well. Tricorder A spacey sort of synth-string sound that triggers a major triad on key-down and a different inversion of the triad on key-up. Loosely inspired by the score from the animated sci-fi film Light Years (written by Isaac Asimov). Be sure to play with the first two sliders that affect filter frequency and resonance. One cool trick is play single notes with tri-tone intervals (for example: C4 - F#4 - C5 - F#5) across the keyboard. I hope you enjoy the sounds! Feel free to contact me if you have any questions or need anything keyboard-related. My other sound sets for PX-5S: Gig Piano: http://www.weisersound.com/#!casio-gig-piano/cfwa Pro Strings: http://www.weisersound.com/#!casio-pro-strings-pack/c210t Pro Bass: http://www.weisersound.com/#!casio-pro-bass-pack/c1n7t My dealer page for PX-5S: http://www.weisersound.com/#!casio-px-5s/c5g8 Click here to download this file
  13. File Name: Guitar Pack File Submitter: Mike Martin File Submitted: 23 Jul 2014 File Category: Guitars and Basses A set of 4 guitars. Stage Settings and Hex Layer tones included. Use Pedal 2 for "key up" strum effects. As seen in this demo: Click here to download this file
  14. This track builds... and is aimed at Television/Cable/Film theme or cue usage. Thanks for listening. pagliacci http://www.keyznguitarz.com http://www.keyznguitarz.com/mobile.html (for non-flash devices) http://www.soundcloud.com/keyznguitarz http://www.facebook.com/keyznguitarz MistyGatherings-Copyright2014BMI.mp3
  15. 1,909 downloads

    A set of 4 guitars. Stage Settings and Hex Layer tones included. Use Pedal 2 for "key up" strum effects. As seen in this demo:
  16. Version Stage Setting

    115 downloads

    This stage setting provides that awesome '70's feel wah pedal control via pedal 1 over the Crunch Electric Guitar tone. You can get your Isaac Hayes or Marvin Gaye emulation with this stage setting.
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