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I was working on a patch for that Interstellar thing (with the in-between time to spend on it), I've found something very interesting while working on this kind of fiddling. https://soundcloud.com/clay-louis-petty/beef-sandwich-a-vegetarian-nightmare-nightfish Wanting to assign Eq to knobs 2 3 and 4 while having cutoff on knob 1. Building a performance patch arranged as follows solosynth on zone 1 and tones for 2 3 and 4,Zone one with the solosynth as a riser like sound configured white noise increasing and lowering cutoff for the Sseq as well. Nice yes but not enough so I rearrange the knobs like this Knob 1 Cuttof , Knob 2 Release , Knob 3 Attack, Knob 4High Gain. So now I don't have full access for Eq having Low , Mid and High which I wanted all and all it was a nice config. And then I let it rest until the next day I found something and was like "Hold on", Solosynth is on zone 1 use the TotalFilter knob to directly access all sliders control function for the solosynth .....Because the G1 can . Yes now I have Filtertype on 1 ,Cutoff on slider 2,Resonance on 3 , Envelope dept on 4. True it's not assignable but its there as I don't need Resonance and Envelope dept for this particular patch I can leave them but Filtertype and Cutoff works well in this case. Thats two sliders and four knobs for this Performance patch and that is because a solosynth is on zone 1 which is convenient. Actually it is two sliders, modulation and bender which you can use effectively. I have not used full scope from solosynth with samples to switch and use Osc block, Env generator,TotalFilter/LFO as of yet this prove, With a bit of creativity there lots to get out from this synthesizer. (I'm still on discovery spree but on the sonic side I'm there dude)