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Found 7 results

  1. Hello guys! I discovered something not very pleasant about the issue of equalization. Using the envelope knob I ended up with something scary ... For that I used the attack control (K1) at its highest possible value and adjusted the value of the release control (K2) to zero. Playing note by note from note E4 to the octaves below it is possible to notice that the sound sample has a higher pitch mixed with the original sound. When a lower note is played, this sound is very noticeable and "spoils" the sound sample by mixing a frequency or timbre that most resembles an acoustic bass or something like that. I don't know if other PX-S3000 users have noticed this. I will post a video with tests that I did on my DAW and I await your comment. The first four played have no release and no attack values. P.S.: I'm very sorry about the hamming noise... I need to change my cables... 😕 Thanks! CASIO stereostrings analysis.mp4
  2. Hello, everyone! I'm looking for a better way to improve the tone 001 :StereoStrings in attempt to change the EQ, but with no success. As a reference I have using the app SampleTank for a long time and I love the strings that app offers as a instrument. But now that a have the PX-S3000 I really like to know from you if there is a specific kind of DSP (probably) to help me to controll de EQ. In other words, to "open" the sound, or better saying, to add more gain in the middle frequencies, attenuating the low frequencies too. It seems that the tone was recording with a pre equalization too low for the middle frequencies and I feel the DSP that I tried does not bring me the results that I'm expected, having the SampleTank as a reference. Of course I will not achieve the same results, but the Strings from PX-S3000 needs a better EQ. One thing that I made it was the using of a knob to control de envelope and it's fine for me. Now I'm trying to better the EQ. Any ideas to point me in right direction? Thanks!
  3. My WK-7500 soudns great, but, much like my WK-3000, it is really biased towards high end from an equalization standpoint. I have to run it through a small mixer or eq to roll off the highs. I don;t use the 3 top drawbars because on stage or through the mix are just to sharp and edgy. I also have run it through a compressor, and an eq, both of which help, but being able to really balance teh eq of teh output would be most desireable. Thoughts? Thanks in advance, Steve
  4. Hey all! Here to show you something big for the PX-5S. Dave Weiser, who has designed sounds for Roger Waters, David Bowie, The Who, and about every theatre show that's been on Broadway, has released a new pair of sounds for the PX-5S. Of course, we all know him for the Vintage Keys Set he made for the PX in late 2013 (and can still be downloaded on Casio Music Forums here), but he has now come out with two brand new piano presets! Basically, these pianos are designed for a number of different applications and genres with the purpose of being "gig-ready". Yes, meaning they sit well in your mix, without getting in the bassist's frequencies, or requiring any extra EQ from the sound guys. Where can you find them? You'll find them, and all the info you need to know on Dave's website, WeiserSound.com HERE. Also, there are some great new demos that were just put on Dave Weiser's SoundCloud, so be sure to check those out! Looking forward to trying these out live!
  5. 616 downloads

    A mono version. Based on a Stage Setting made by Jim Alfredson who's been out performing live with his PX-5S is this new EQ'd piano preset. The low mid frequencies are cut, along with boost in the upper mids and high frequences, resulting in a piano sound that provides some cut and presence in a live mix. This is a Stage Setting. Thank you Jim Alfredson.
  6. File Name: MONO EQ Piano File Submitter: Mike Martin File Submitted: 09 Sep 2013 File Category: PX-5S Tones A mono version. Based on a Stage Setting made by Jim Alfredson who's been out performing live with his PX-5S is this new EQ'd piano preset. The low mid frequencies are cut, along with boost in the upper mids and high frequences, resulting in a piano sound that provides some cut and presence in a live mix. This is a Stage Setting. Thank you Jim Alfredson. Click here to download this file
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