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Found 3 results

  1. Version 1.0.0

    110 downloads

    Hello everyone! It has been a pleasure delving into the PX-5S community throughout the last few weeks - what a fantastic group of folks willing to help each other out. Thanks for having me. On to what you are here for: the Flavell Horns stage setting 🥳🤠 The patch consists of four tones, assigned and volume-controlled by slider: Slider 1: Choir Pad Slider 2: Saxophones Slider 3: Brass Slider 4: Piano There are three features of this stage setting that set it aside from other horn patches: real-time vibrato rate and depth adjustments, the ability to perform "pseudo-falls," and three separate cutoff assignments for extremely shapeable, dynamic timbres. 1. Vibrato rate vs. depth Slider 5 controls the rate of vibrato (fast vs. slow) while the mod wheel controls vibrato amplitude (deep vs. shallow). Slider 5 at around 090+ and mod wheel all the way up creates a brass shake. For a gentle warble effect, dial slider 5 to around 010-020 and raise the mod wheel about 1/2 of the way. 2. Falls, scoops The pitch bend wheel has been modified to perform comfortable falls (simply hold down a chord with one hand, and quickly bend the wheel all the way down - once all the way down, release the chord). Scoops and other pitch inflections are also very doable with the current pitch bend wheel settings. 3. Timbre alterations/secret sauce 🙂 There are a couple more parameters that provide for a highly flexible stage setting, spanning from punchy horn sections to extremely mellow pads: Knob 1 controls frequency cutoff for Z1: Choir Pad Knob 2 controls frequency cutoff for Z2: Saxophones Knob 3 controls frequency cutoff for Z3: Brass Slider 6 controls global reverb Slider 1 is intentionally left at 0 volume when you load up the setting because of its reverb tail. I find that it's not as suitable for more aggressive timbres that can be crafted with this stage setting; it's meant for gentler, paddy textures that can be quickly created by turning down each of the first three knobs. Generally: Knobs set to low cutoff = mellow and pad-like Knobs set to high cutoff = bright and aggressive So there you have it! I hope you enjoy this stage setting Be sure to play around with the different sliders, knobs, and wheels before tossing it out too soon...and I would appreciate it if you left a comment down below of your thoughts. Thank you, and have a totally tubular day. -Alex Flavell
  2. First the observed phenomena: When I tried all the sounds I came across sax and flute ... which sounded quite disappointing (far away). However I knew from some online material that there is a better reed sound for the PX-560 ... but how? Then, one day I had it: The sax suddenly sounded great ... immediately had to play the Pink Panther with it ... phantastic. Next day the great sound was gone ... and no way to fix it. What happened? Meanwhile I know how to fix the broken reed sounds: 1. Select the sound in Upper 1 (only there it works) 2. Edit -> Effect -> DSP -> select "Early Reflection" Attached an example of sax as it plays per default and with the enhancement above (difference may be hard to hear on the PC - use headphones - big difference on the PX-560). Being happy that this problem is solved still some questions where the experts may be able to explain: 1. Why does Early Reflection change so much? The effect description has not much to do with the effect on the sound ... 2. This is a MUCH better sound for all reed instruments - how can I make this the default? 3. Changing Early Reflection in the Effects -> Reverb does not achieve the same results ... why not? 4. What if the reed instrument cannot go in Upper 1 (e.g. playing in split mode one may need brass in Lower 1 ...)? 5. Is there a way to get this resolved by using Hex Layers? (side comment: flute 2 seems not to use the DSP according to the manual appendix ... still it requires the trick above) SAX_STD.WAV SAX_EARF.WAV
  3. Version 1.3

    376 downloads

    MUST ADD THE MONO PHRASE ON SLOT 103 for this to work! ALSO, MONOPHON ARPEGGIATOR ON SLOT 100 may be needed. This is something I've been playing around with for a while, and I finally think it's good enough to share. I've been trying to duplicate the Physical Modeling technology that Yamaha has in their VL line, particularly with the saxophone. There is one important factor to a good keyboard sax that the PX5S doesn't do, and that's being able to limit the sound to one note at a time (monophonic). I used the arp and phrase to create a pseudo-monophonic response on the keyboard. It's a little tricky to play, as if you hit 2 or more notes everything after the first is ignored. So, you have to play staccato to play fast. I also added a ring modulation for the "growl" effect. It works pretty well on most notes. The most important controls are: - Knob 1 will turn the DSP on or off. The sound activates with the DSP ON, so you'll want to move Knob 1 when you select the sound to turn it off. - Modulation: The modulation has a slight vibrato AND tremolo to give a natural sound of throat vibrato. - Slider 1: Breath pressure (Volume/Cutoff) for sax. I added a breath sound (using Breath ASax....Breath TSax was clashing with the main TSax) that isn't effected by this slider. The EQ knobs (2,3,4) and Sliders 4,5,6 (Chorus, Delay, Reverb) effect both the sax and breath sounds. The DSP, Breath, Resonance, and Attack only affect the sax sound (not the breath). I'll be interested to see what some people think. I'm not sure how practical this sound is for playing live, although I was able to get a decent approximation to the sax on Pink Floyd's "Money". Note: Since I'm using the Phraser, the keys are not velocity sensitive. That's what Slider 1 is for.
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