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Organ tones and Stage Settings.

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  1. PX5S 'B3' tonewheel organ (9 drawbars, foldback, OD, CV etc)

    ========================================================================================
    # PX5S 'B3' tonewheel organ
    ========================================================================================
     
    B3 is an extended 'Hammond' stage set using two PX5s hex-layers for 9 drawbars and rudimentary 'foldback'.
    Further zones are used to simulate 'Organ Percussion' (with a doubtful result ;)) 
     
    Foldback is 'folding' higher tones down 1-2 octaves which adds to the pronounced 'crying' of B3 organs.
    As PX5S is limited to maximum 2 hex-layers, foldback cannot entirely be reproduced - the stage set uses a
    'mixture' of the foldback/nonfoldback characteristics of C3, B3 and spinets like M3/L100
     
    B3 exists in two flavours differing in 'overdrive'
    - B3 Jazz: Overdrive is tuned for a 'warm tube OD': drawbars can be pulled all out without running into fuzz distortion
    - B3 Rock: Overdrive is tuned for a 'rough OD': it quickly runs into 'rock distortion'

    The PX controls and pedals are used for: drawbars, Overdrive, Vibrato/Chorus (VC), Leslie fast/slow, Percussion short/long, 'Tonewheel off'

    For details about using Percussion, CV,  'PX Controls', customisation options etc see the accompanying text file
     
     

    87 downloads

       (0 reviews)

    0 comments

    Submitted

  2. Accordion - Musette

    I tried to recreate the classic sound of the "musette" accordion with a little detuning between the various reeds and enhancing the bass sound (lacking original sampling) with the help of a baritone sax, which being a reed instrument has a very similar.  
    On slider 5 there is a chorus and on 6 there is a reverber.  
    Have a good fun
    Lupin .aac
    gipsy musette_1.aac

    19 downloads

       (0 reviews)

    1 comment

    Updated

  3. Detailed church organ

    This is a 'real church' organ stagesetting.
    The goal was to create a detailed church organ sound, with not only the full power of the organ, but also the subtleties from blending different stops or retracting them.
    To get this to work you need to download the stagesetting 'CHURCHORG'
    I have added the separate hex layers also, eventhough they aren't necessary in order to function.
    The layers act as different organ stops.
    You can see the organ stops as different sounds which can be added to each other. Add layers (stops) by pulling down the sliders!
    The stops in this stagesetting:
    S1 -- 16' principal
    S2 -- 8' Flute
    S3 -- 4' principal
    -- the above first 3 stops are making a base layer
    S4 -- 3' mixture
    S5 -- 3' nazard
    S6 -- 8' trumpet
    -- these 3 above give a different blend to the mix
    K4 -- 8' voix céleste (slightly detuned sound, to create a wavering human voice effect).
    -- I consider the above stop a solo register, not to be used with all the rest together, which is why it's on knob4. However you can blend the voix céleste nice with the flute or the principals.
    K1 -- controls the amount of reverb. If you play in a church you wouldn't need reverb (but then again you'd have a real church organ, no?)
    Example:
    https://soundcloud.com/pieter-jan-lanssens/realistic-church-organ
    Stops used here: in the beginning a tutti (everything except voix celeste), then only voix celeste, then flutes. Was a quick record, without any rehearsal, it shows at the end :-).

    729 downloads

       (8 reviews)

    4 comments

    Updated

  4. 9 Drawbar Organ

    I'm just getting into the Hammond B-3 sound and I was really impressed with the 9 Layer Organ that Jimmyjames posted back in July. I started looking into the way the drawbars worked and found some pretty good pages on the net that have some of the more popular registrations. Unfortunately, you need 9 drawbars to do that and the way they were tied together in the 9 Layer Organ didn't allow you to adjust all of them independently. So, I wanted to build something that would allow me to experiment. This really won't be a performance Stage Setting as much as a "play around with" Stage Setting that you can then solidify into different presets as you find them.
    I really think that the key to pulling off a B-3 sound will be in presets because there aren't 30-some-odd drawbars on the PX-5S, for good reason! Here are some of the key notes you'll need to be aware of for this stage setting:
    Drawbars: There are nine "drawbars". On the Hammond, they are organized this way: 16' 5 1/3' 8' 4' 2 2/3' 2' 1 3/5' 1 1/3' and 1'. They are on the PX-5S as follows, respectively: ModWheel, S1, S2, S3, S4, S5, S6, K1, K2.
    Rotary effect: I like being able to experiment with these effects, so I moved them to K3.
    K4: This controls the volume of the percussion. More on that below.
    Pedal 1: This switches between 2nd percussion/slow decay and 3rd percussion/fast decay. I didn't think the 3rd harmonic sounded very nice when it suspended for too long, but you can adjust that as you like by editing the Stage Setting parameters.
    Pedal 2: This turns the percussion on and off.
    Percussion: I don't have a Hammond B-3 to sit next to, but I do have the internet! I found a good YouTube video in which some of the different sounds and registrations were isolated:
    . With the laptop plugged into the audio in port of the PX-5S (good thinking, Casio!) I played this video through the same speaker as the keyboard. True to some of the other articles I read, the percussion sounded quite marimba-like, so that's on the percussion channel (zone 3).The way the original organs were built, percussion only happened for the first note struck in a legato passage, i.e. as long as any keys were held down, no more percussion sounded. To duplicate this effect, I created a phrase that plays one single note, and then dummy-fill (with expression controller values) to extend the phrase for awhile. Percussion will repeat if you hold down a note long enough, but at a tempo of 20, it hadn't repeated after 2 minutes of sounding a note. I think that'll do. If you want to bypass this effect and have percussion strike every note, regardless of other keys held down, simply turn off the arpeggio button. You will also need the OrganPercuss phrase file in slot 910 for this feature to work.

    2,270 downloads

       (10 reviews)

    14 comments

    Updated

  5. Organs more volume and user friendly controls

    Hi everyone,
     
    Time for me to contribute some stuff (hopefully still active users out there?).
     
    The original organs were not working for me in a live setting because the volume was too low compared to other sounds and controls could be better.
    Attached a set of organs I updated from the PX-5S originals, with more volume and improved controls.
     
    What I did:
    - Volume is WAY HIGHER now
    - I replaced sustain padel to 'hold', which is just more intuitive for me and useful even for organs
    - Modulation wheel now controls slow/fast rotary
    - K1 controls volume for expression
    - K2 turns on/off the rotary
    - K3 vibrato/chorus
    - K4 fast rotary speed
    This setting gives me much more dynamic control during playing.
     
    And I changed the direction for the volume sliders of the 5Draw Organ, more natural to increase volume going upwards.
     
    Enjoy
     
     
     

    474 downloads

       (0 reviews)

    0 comments

    Submitted

  6. Drawbars 8-1.ZPF

    Here's my first upload effort -- a rock organ's lower manual.
     
    I have a nice synth which nicely models single-manual clonewheel, which I play in a stack above my new PX-5S. The PX can't match that for organ, but I figured I would take a stab at at least providing a backup (lower) manual functionality.
     
    The initial (scrapped for now) trick was going to be to put the first three drawbars on the first slider, since so many registrations build from 888 00 0000.  Then I was going to mix a couple of higher footages -- 1-3/5' and 1-1/3' -- on the 5th slider.  Getting the 16', 5-1/3', and 8' pitches to be operated by one slider is proving to be a challenge, due to limitations in the PX-5S synth architecture.  I'll work on that one again another day...
     
    It occurred to me though that Hammond spinets don't even use 16' and 5-1/3' bars on the lower manual, and that I have an extra octave of keys at the bottom anyway, so part way through the exercise I ditched the two lower drawbars.  So for now I offer a fader-to-drawbar mapping of
        8'
        4'
        2-2/3'
        2'
        1-3/5' plus 1-13' mixture
        1' (because lots of organists like that whistle to be separate from the others)
     
    Initially, the mixture played too many major chords when I played LH bass, so I used the wonderful per-hexlayer key mapping to get the 1-3/5' sound to disappear about 1 octave below middle C, and to get the quint stops and 1' to play a little more quietly.  This allows some nice bright RH comping and non-dissonant LH bass.
     
    This "lower manual" uses neither percussion nor C/V, but it does use Overdrive rotary.    The Mod wheel is mapped to overdrive level.  Pedal 2 is toggles fast/slow rotating speaker.  There is an editable, but non-modifiable, key click.

    200 downloads

       (0 reviews)

    0 comments

    Submitted

  7. Bay's Organ

    Built my own custom Organ Hex Layer Tone using all 6 Hex Layers. Basically combined several Organ Tones (plus a Voice) and edited the pitch and filter sections heavily. This is my own sound, not trying to be another sound, just a decent cool organ for pads mostly. This is a tone, so can create Stage setting with other 3 zones to add strings, piano or anything else.
     
    https://soundcloud.com/baymond-rell/bays-organ-custom-privia-pro-px-5s-tone-patch
     

    121 downloads

       (0 reviews)

    0 comments

    Submitted

  8. GREEN ONIONS

    This stage setting is a try to reproduce that Booker T sound used in the famous Green Onions track. I have tuned a bit an old 6 drawbar stage setting uploaded on this forum few times ago. I changed the amp section, some parameters for the overdrive and volume layer. Hope you enjoy it!
     
    Stage setting is based on 4 zone:
    - Z1 and Z2 : HexLayer organ tone
    - Z3 : another organ tone to improve depth sound
    - Z4: click organ tone
     
    Controls:
    - Slider 1-6 : drawbar setting 
    - Knob 1 : overdrive gain/level
    - Knob 2 : reverb
    - Knob 3 : Low EQ
    - Knob 4 : High EQ
    - Modulation Wheel : increase gain for another kind of overdrive, target is Z2
    - Pedal 1/Damper : switch rotor velocity

    170 downloads

       (0 reviews)

    0 comments

    Updated

  9. Jm hammond 1

    it 's a sweet hammond organ .

    283 downloads

       (0 reviews)

    0 comments

    Submitted

  10. polysynth

    it ' s a warm tone wheel organ i created today very credible .
    POLYSYNT.ZPF
    POLYSYNT.ZPF
    POLYSYNT.ZPF

    117 downloads

       (0 reviews)

    0 comments

    Submitted

  11. OrgAnne, Jason & Terry

    This is my favourite organ sound which I use a fair amount.
    It is based upon Jaspeter's excellent 9 draw organ, which I have tweaked to my taste.
    It has then been further tweaked by Terry. I am very pleased with the results. I hope that it may be of use to someone.
     
    Pedal 2 controls the rotary brake
    Pedal 1 - rotary speed
    Knob 1 - vibrato/chorus
    Knob 2 - reverb/delay
    Knob 3 - rotary fast rate
    Knob 4 - percussion volume
    Mod wheel - drawbar 1
    Sliders 1-6 - drawbars 2-7

    214 downloads

       (0 reviews)

    0 comments

    Updated

  12. Multi Organ

    Sliders 1-4 control volume for 4 overlaid Hammond type organ tones.
    Zone 1 - Rock Organ 2
    Zone 2 - Percussion Organ 1
    Zone 3 - Dark Organ 1
    Zone 4 - GM Organ 2
    (each zone full keyboard)
    Rotary is OFF for all tones, since I use an offboard rotary sim (H&K Rotosphere). Rotary can be added via Edit-->Tone for each zone.

    212 downloads

       (0 reviews)

    0 comments

    Submitted

  13. 9 Layer Organ

    This is a version of a nine tone layer organ similar to a B3 organ. I worked with a distinctly colored clone wheel to compare the PX-5S tones against. It will never be exact, but I think it is in the same zip code (perhaps the same ballpark if you use a Neo Vent) and could get you through a club gig if you don't have a clone wheel.
    It contains two hex layers in Zones 1 and 2 and uses all twelve available layers. Only nine layers will sound on any one note presuming the sliders are all in the open position. Twelve layers are needed to simulate the duplicative use of the tone wheels in the B3 in the extreme ranges of the keyboard (see excerpt from Sound on Sound magazine Hugh Robjohns article below regarding this - link to full article http://www.soundonsound.com/sos/jul03/articles/hammondb3.asp). Zone 3 contains a truncated version of an organ tone to bring in the percussion. The key range of this Stage Setting is limited from C2 to C7 so keys above and below this level will be silent.
    Slider/Knob settings:
    Slider 1 controls the equivalent of the 16' and 8' drawbars.
    Slider 2 controls the equivalent of the 4' and 2' drawbars.
    Slider 3 controls the equivalent of the 5 1/3' and 2 2/3' drawbars.
    Slider 4 controls the equivalent of the 1 3/5' drawbar.
    Slider 5 controls the equivalent of the 1 1/3' drawbar.
    Slider 6 controls the equivalent of the 1' drawbar.
    Knob 1 controls the distortion level.
    Knob 2 controls the vibrato/chorus setting.
    Knob 3 controls 3rd percussion.
    Knob 4 controls reverb.
    Mod wheel and Pedal 1 toggle rotary speed.
    "The New B3 has 96 digital tonewheel generators whereas the original B3 (and its siblings) had 91 active tonewheels (although there were actually 96 physical wheels in the generator, the unused ones being there to maintain the mechanical balance). However, if you do the sums, you'll find that there are actually 109 different tones required to produce nine harmonics on a 61-note keyboard. The original Hammonds overcame this problem by cheating — partial octaves were repeated at the top end of the keyboard, the repeating starting on different notes and octaves depending on the drawbar. On a stock B3 the 2-foot drawbar repeats only the top 'C' from the octave below, while the 1-foot drawbar repeats an octave and a half starting from the 'G', and the intermediate drawbars start repeating somewhere in between. This arrangement is usually referred to as 'fold-down' and it is an essential element of the subtle but characteristic tonal quality of the B3 and its siblings."

    678 downloads

       (5 reviews)

    3 comments

    Updated

  14. 4ZonesB3.ZPF

    This is a very simple B3 Stage Setting. Control by Slider 1-4, no Overdrive. Sounds like a dark B3, great for many Songs.

    306 downloads

       (2 reviews)

    0 comments

    Submitted

  15. Accordion

    This Stage Setting attempts to improve upon the standard accordion tones that come with the PX5S. The underlying tone is a two-layer hex layer with the waves being the bandoneon samples. The knob/slider/modulation/pedal settings control the same functions as the ConcertGrand setting except:

    Knob 1 controls layer detuning so that you can increase the "musette" or "wet" effect of the sound as it is commonly referred to in accordion lingo. (* See further note on this below)
    The Mod Wheel adds tremolo as opposed to vibrato to better simulate what happens on the accordion when the bellows are manipulated to provide some modulation to a sustained sound...usually through a hand shaking motion.

    All-in-all it is just not possible to incorporate all of the physical attributes of playing a real accordion into any tone or Stage Setting on the PX5S (or any other electronic keyboard I have played except the Roland V-Accordion of course), Nonetheless, I am hoping some of you can "squeeze" something useful out of this...(ugh...).
    * For some reason, the Bandoneon waves seems to be sharp a fair amount so you will note if you dissect the tone settings, that I made a fine tuning adjustment. That may be a result of the detuning effect in the base waves themselves. When you detune the layers further with a Knob 1 adjustment, your ears may perceive the sound to be sharpening further. If you plan to use a detuned level more often, I would go in and further adjust the fine tune level...unless of course you like that bit of dissonance.

    300 downloads

       (0 reviews)

    0 comments

    Submitted

  16. ACORDEON

    this stagesettings has been edited with mixed Accordion, bandoneon and harmonica sound
    The original accordion sound is not the best on privia px-5x
    now, I like it :-)
    please post your comments here
    PD: I delete the last upload from my accordion sound, and upload again, because I upload a wrong file sound.SORRY

    251 downloads

       (1 review)

    1 comment

    Submitted

  17. Org 3 Sp.ZPF

    Stage Setting modification of 1-6: 3 way split on what was that Gospel Organ . I left the Gospel Organ sound alone except for the split then added Ride Bass on the low end up to C - Put your Rock Organ 5 an Oct higher in the next register for Left Hand comping From C - F# an Oct above it and Left Gospel Organ F# all the way to the end of the highest C on the keyboard. I was trying to add a little of sustain to the Bass on Zone 3 so I assigned Knob 1 of Zone 3 to release so that the user can adjust the amount of sustain or release if any on the Bass at times ..

    174 downloads

       (1 review)

    0 comments

    Submitted

  18. accordion V2

    NEW ACCORDION STAGE SETTINGS.
    with DSP insert EARLY REFLECTION, now its very realist sound for me.
    mixed sounds: GM accordion, Harmonica, Bandoneon
    check and post your reviews :-)

    424 downloads

       (5 reviews)

    0 comments

    Submitted

  19. Vintg Org II Split 3

    I took 2-6 Vintg Org II added Ride Bass -split the keyboard 3 places - changed the octave and adjusted the volume in the middle so that the left hand would have a place to comp if desired

    188 downloads

       (0 reviews)

    0 comments

    Submitted

  20. Ham N Eggon

    This is my first attempt at an organ sound. It is not very good yet and I had no intention of sharing it in this state, but it was suggested that I post it in case anyone fancied having a go at tweaking it (or performing major surgery on it....). I like the basic sound, but it does not cut through a mix very well. Not sure why - but that is not surprising as I do not know what I am doing.....
    I should mention that this sound is derived from an excellent 9 layer organ sound which was posted here by someone else. That sound is very good, but not the sound which I am looking for - if that makes sense...hence my efforts.

    133 downloads

       (0 reviews)

    0 comments

    Submitted

  21. Squabble

    Fiddling with the presets and watching the video in the notes of the 9 Drawbar Organ sound, I put together this keyboard split resembling the Squabble style registrations that Tony Monaco uses toward the end of the video. The left side of the keyboard (up to Bb5) represents the lower manual with registration 848000000 tuned up two octaves. The right side of the keyboard represents the upper manual with registration 800008888 and tuned down one octave. This allows a quite a bit of pitch overlap without going too high or too low.
    The mod wheel controls the leslie speed, K2 controls the percussion volume, K3 controls the Vibrato/Chorus, and K4 controls the reverb. As in the 9 Drawbar Organ stage setting, Pedal1 toggles the 2nd-percussion-slow/3rd-percussion-fast, and Pedal2 turns percussion on and off.
    I wish I could upload a sample of a tune played in this style, but I'm just learning and couldn't do it justice. Maybe a more experienced player could make a sample tune for it, should it end up being useful for someone.
    Have fun!
    Jason

    150 downloads

       (0 reviews)

    0 comments

    Submitted

  22. Whiter Shade of Pale

    Of course an organ upload section can't be complete without A Whiter Shade of Pale. The MP3 starts at the lead-in to the chorus where the glissando kicks in with the C3 chorus setting. Yes, I know that the background is kind of cheesy in the MP3, but I usually play with a group, so I wasn't too concerned with sequencing a better backup.
    Here are the files this stage setting expects:
    - The drum set (JasonSet1) in user area 20. This is optional, and originally I put the lower keyboard manual here instead.
    - The phrase OrganPercuss in user area 910. This, too, is optional. It just lends to the Hammond sound by hitting the 2nd harmonic percussion only at the beginning of a legato phrase. Make sure to turn LOOP: On and write it back into slot 910. The load defaults to LOOP: Off, for some reason.
    - The WhiterShade.ZPH for the drum track phrase in user area 911.
    Other notes:
    - The sliders 1-3 control relative volumes of the drum set, organ, and bass, respectively.
    - Slider 6 controls reverb.
    - Footswitch 1 turns the C3 rotary speaker option on (for the chorus).
    - Footswitch 2 turns the drum phrase on.
    - Knobs 1-4 control the equalizer.
    It's a shame that you can't string DSPs together, because I really like the sound of the organ through the MStack amp simulator. It might be possible to replace the C3 rotary chorus with the native PX-5S chorus and still get a good sound while routing through the Distort/Amp simulator. That's left as an exercise to the user.
    I should also mention that I got the information for the organ registrations and other settings from http://www.procolharum.com/awsop_reg-cerdes.htm

    1,221 downloads

       (1 review)

    1 comment

    Updated

  23. MarsOrgan

    Spacey Echo Organ with Cymbal on Z3 / turn on off ,,,,

    109 downloads

       (0 reviews)

    1 comment

    Submitted

  24. Indonesian Nights

    The attached MP3 is a sample of the tune that inspired me to do this song. I didn't feel comfortable putting it in the "Song Ready" list, since the tune is fairly obscure. I was listening to Tony Monaco - Celebration when this track came on. Due to its lower tempo and cool sound, I wanted to try to duplicate it. This is my take on it, the organ sound is all from this stage setting on the PX-5S (explained below) and the backing track is from my android smartphone running IRealb.
    This setting simulates a two-manual organ, with the split point being at middle-C. Here are the settings for each manual:
    Lower - Registration 666000000 (sort of), rotary on (permanently)
    Upper - Registration 008666000 (sort of), percussion 3rd harmonic, rotary can be turned on and off
    The tweaky bits:
    Mod wheel - overall volume
    S1 - Overdrive
    S2 - Percussion decay speed
    S3 - Percussion volume
    S4 - Lower manual volume
    S5 - Upper manual volume
    S6 - Reverb
    K1 - Rotary Slow rate (not used, since I didn't include a way to switch between slow and fast)
    K2 - Rotary Fast rate
    K3 - Chorus/vibrato
    K4 - Wet/Dry mix
    Pedal 1 - Percussion on/off
    Pedal 2 - Upper manual rotary on/off (This seems to take two taps the first time you use it in this stage setting, thereafter it functions normally. I haven't figured that one out yet.)
    It should operate correctly without uploading the associated arpeggio needed to make the percussion envelope work properly. That still kinda weirds me out, but it seems to work.

    319 downloads

       (1 review)

    2 comments

    Updated

  25. Bs+Rd/Organ

    A take on a Jimmy type jazzy organ sound with left hand bass and ride.

    171 downloads

       (0 reviews)

    0 comments

    Submitted

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