jaspeter
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9 Drawbar Organ
I'm just getting into the Hammond B-3 sound and I was really impressed with the 9 Layer Organ that Jimmyjames posted back in July. I started looking into the way the drawbars worked and found some pretty good pages on the net that have some of the more popular registrations. Unfortunately, you need 9 drawbars to do that and the way they were tied together in the 9 Layer Organ didn't allow you to adjust all of them independently. So, I wanted to build something that would allow me to experiment. This really won't be a performance Stage Setting as much as a "play around with" Stage Setting that you can then solidify into different presets as you find them.
I really think that the key to pulling off a B-3 sound will be in presets because there aren't 30-some-odd drawbars on the PX-5S, for good reason! Here are some of the key notes you'll need to be aware of for this stage setting:
Drawbars: There are nine "drawbars". On the Hammond, they are organized this way: 16' 5 1/3' 8' 4' 2 2/3' 2' 1 3/5' 1 1/3' and 1'. They are on the PX-5S as follows, respectively: ModWheel, S1, S2, S3, S4, S5, S6, K1, K2.
Rotary effect: I like being able to experiment with these effects, so I moved them to K3.
K4: This controls the volume of the percussion. More on that below.
Pedal 1: This switches between 2nd percussion/slow decay and 3rd percussion/fast decay. I didn't think the 3rd harmonic sounded very nice when it suspended for too long, but you can adjust that as you like by editing the Stage Setting parameters.
Pedal 2: This turns the percussion on and off.
Percussion: I don't have a Hammond B-3 to sit next to, but I do have the internet! I found a good YouTube video in which some of the different sounds and registrations were isolated:
. With the laptop plugged into the audio in port of the PX-5S (good thinking, Casio!) I played this video through the same speaker as the keyboard. True to some of the other articles I read, the percussion sounded quite marimba-like, so that's on the percussion channel (zone 3).The way the original organs were built, percussion only happened for the first note struck in a legato passage, i.e. as long as any keys were held down, no more percussion sounded. To duplicate this effect, I created a phrase that plays one single note, and then dummy-fill (with expression controller values) to extend the phrase for awhile. Percussion will repeat if you hold down a note long enough, but at a tempo of 20, it hadn't repeated after 2 minutes of sounding a note. I think that'll do. If you want to bypass this effect and have percussion strike every note, regardless of other keys held down, simply turn off the arpeggio button. You will also need the OrganPercuss phrase file in slot 910 for this feature to work.
2,270 downloads
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Beat It - Intro
By jaspeter in Song Ready Stage Settings
I was trying to produce a "gong" tone, but this started to present itself and I had to follow through! Play your lowest G - G - E - E - G - G - D.
208 downloads
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Borderline
By jaspeter in Song Ready Stage Settings
Performance notes:
1. Hold pedal 1 to enable piano accompaniment at beginning (so you can play the intro synth)
2. On count 1 downbeat, start by starting percussion (pedal 2), piano accompaniment (pedal 1 down and F6), start playing bass.
3. Intro synth is in the top octave.
4. After the intro synth part is done, take over the piano accompaniment part and release pedal 1.
Borderline.mp3
19 downloads
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Boulevard of Broken Dreams
By jaspeter in Song Ready Stage Settings
The band wants to play Boulevard of Broken Dreams by Green Day. At the risk of sounding too much like we're trying to sound like the recording, I've put together a Stage Setting for this tune. There are two other files besides the Stage Setting file:
- The ZPH is a drum track phrase for phrase slot 158. I originally had two of these to switch between verse and chorus, but I realized the only big difference is banging on the two crash cymbals on the eighth notes during the chorus. Figuring I can handle that manually, I left it out. Oh yeah, you can start it with Pedal 2.
- The ZAR apreggio file contains only the expression CCs to give that heavy vibrato so prominent in the intro. I could have used an LFO, but then it wouldn't sync with the drum track/tempo. Thanks Brad Saucier for giving me the arpeggio control track recommendation! It uses arpeggio slot 100. I usually try to use high numbers to avoid slots that others may already have filled, but I forgot and already uploaded this one. Sorry! You'll probably want to change that in your Stage Setting.
- I'm still unsure about the drum track file. I don't use a standard set so I can put the drums where I want them. If you hear anything besides a kick, snare, open hi-hat, and cymbals, you'll need JasonSet1 in drum slot 20.
360 downloads
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Brass Trio
By jaspeter in Strings, Brass and Orchestral
This Stage Setting uses three arpeggios on three zones to separate a tuba, trombone, and trumpet into the lowest, middle, and highest notes of a triad. Because it's an arpeggio, the main "gotcha" is that it repeats. However, the step size is set to be a quarter note to help minimize this effect. You can also press the sustain pedal and release the keys for a full sustain with no repeats.
The attached MP3 has a "before and after". The first sample is with the arpeggiator turned off. All voices are sounding on all notes in unison. The second sample is with the arpeggiator on, separating the instruments.
I chose brass sounds in response to an old post in the forums about the "more perfect brass section," but I'm sure there could be plenty of other applications!
355 downloads
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BrassFallsRelease
By jaspeter in Strings, Brass and Orchestral
This stage setting is a rip-off from the one that Mike Martin created. It occured to me the other day as I was snooping the MIDI data from the PX-5S. At first, I thought it was annoying that Casio decided to use a "Note Off" message instead of a "Note On: Velocity Zero" message to end notes. For processing purposes, it added extra code to handle the different messages. But then I noticed that the Note Off messages really did carry the information about how quickly the key is released.
So, in this setting, hex layer 1 does normal note-on/note-off behavior for "nominal" playing rates. But if the keys are released very slowly, hex layer 2 kicks in and initiates the "fall" effect. There are some other snazzy things that one could do, but I don't have time to follow that tangent at the moment. I had really no reason to do this now except out of curiosity. I thought someone might find it useful, though.
The MP3 is a quick sample to see what it sounds like.
367 downloads
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Call Me
By jaspeter in Song Ready Stage Settings
Performance notes:
1. Guitar + delay in octave 3
2. Turn off arp for instrumental in octave 6
3. Crash cymbal can be hit on C#1 with bass on D2 (if you can reach)
CallMe.mp3
39 downloads
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Come Dancing - The Kinks
By jaspeter in Song Ready Stage Settings
There's probably a better tone combination to use than the steel drum/pad, but it kinda grew on me when we were trying to do this tune with my old PX-320.
125 downloads
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Crazy For You
By jaspeter in Song Ready Stage Settings
Some notes to go along with the upload:
1. Intro percussion hits on Bb- and A-
2. Start the arpeggiator in the top octave: F#6, B6, and E7. Pedal down locks the arpeggiator so you can turn it off during the chorus.
3. "Wavy" bass 2-note synth is G2/B2 and A2C#3.
4. Chorus synth is around C4.
CrazyForYou.mp3
15 downloads
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Do You Really Want to Hurt Me?
By jaspeter in Song Ready Stage Settings
Performance notes:
1. Intro pad in the top octave.
2. Intro synth on Em about C3
3. Steel drum pad at octave C4
DoYouReallyWantToHurtMeSample.mp3
35 downloads
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Don't Dream it's Over
By jaspeter in Song Ready Stage Settings
Performance notes:
1. Pedal 1 brings in strings for chorus.
2. Organ is the C6 octave and uses the arpeggiator to play rhythm guitar in the background.
DontDreamItsOver.mp3
36 downloads
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Every Breath You Take
By jaspeter in Song Ready Stage Settings
Well, the band wanted to do Every Breath You Take by the Police. The attached MP3 is me playing a sample of the keyboard parts and a percussion loop so you can get a feel for it. I add the crash and ride bell myself during the bridge.
Our singer is pretty good... but he's not Sting, so we had to drop the key a touch. I recorded it, however, transposed back to the original key. The keyboard splits are arranged for the key I play with the band, so you may need to adjust the split points if you play a different key without transposing.
The Stage Setting expects to see the percussion loop in slot 175.
711 downloads
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Everybody Wants to Rule the World
By jaspeter in Song Ready Stage Settings
Performance notes:
1. Opening choir synth on A5 (velocity layered - play loud)
2. Opening guitar riff: hold choir on A5, play the riff in octave 6, but softly to not trigger the choir
3. Full percussion comes in with pedal 1
4. Chords are in octave 4, velocity mapped. Light velocity plays just the electric piano for the verse.
5. For the instrumental, play in octave 6, but with higher velocity to trigger chorus background pad behind guitar.
EverybodyWantsToRuleTheWorld.mp3
86 downloads
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Forgiven, Not Forgotten - The Corrs
By jaspeter in Song Ready Stage Settings
This tune is a bit obscure, and I questioned putting it here, but there may be some usefulness in there somewhere.
207 downloads
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Groove is in the Heart
By jaspeter in Song Ready Stage Settings
Ok, not technically from the 80's, but I justify it by saying it came out in nineteen-eighty-ten.
1. The hip-hop scratch in the beginning is the low E, F, and G.
2. Slide whistle is C#6. The sad attempt at mimicking the sample voice is at C6.
3. Sax is in octave 5.
4. Hip-hop breakdown percussion sounds for the bridge are the bottom A and Bb.
GrooveIsInTheHeart.mp3
33 downloads
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Here Comes the Rain Again
By jaspeter in Song Ready Stage Settings
1. The arpeggiator is triggered from the highest G, B, and C. Start with pedal 1 down for arpeggiator synth zone on. Also, start with Slider 6 down.
2. Pizzicato: play octaves 5 and 6.
3. When you start the percussion, release pedal 1 to quiet the arpeggiator. If you do it with one foot, it's like stopping at a red light.
4. Slider 6 turns on the "chime" voice for the instrumental.
5. Press pedal 1 again at the end to bring the arpeggiator synth zone back in.
(I cut the MP3 short because I totally messed up and didn't want to re-record the sample.)
HereComesTheRainAgain.mp3
53 downloads
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I Still Haven't Found What I'm Looking For
By jaspeter in Song Ready Stage Settings
Performance notes:
1. Start arpeggiator on C#2 and C#3. The C#3 is a "scratchy" electric guitar with the same rhythm that comes in later with the pedal. The pedal can also be used to fade out the arpeggiator at the end of the song.
IStillHaventFound.mp3
29 downloads
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I Want Your Sex
By jaspeter in Song Ready Stage Settings
Performance notes:
Bass octaves 1 &2, "bottle blow" bridge synth octaves 2&3, Bridge "sparkle" octave 6, chorus "piano" octave 3&4
IWantYourSex.mp3
13 downloads
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Ice Ice Baby
By jaspeter in Song Ready Stage Settings
"Under Pressure" bass D3
First bass synth D2
"Sub" bass synth D1
Piano D6/G6, A5/D6
IceIceBaby.mp3
21 downloads
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Indonesian Nights
The attached MP3 is a sample of the tune that inspired me to do this song. I didn't feel comfortable putting it in the "Song Ready" list, since the tune is fairly obscure. I was listening to Tony Monaco - Celebration when this track came on. Due to its lower tempo and cool sound, I wanted to try to duplicate it. This is my take on it, the organ sound is all from this stage setting on the PX-5S (explained below) and the backing track is from my android smartphone running IRealb.
This setting simulates a two-manual organ, with the split point being at middle-C. Here are the settings for each manual:
Lower - Registration 666000000 (sort of), rotary on (permanently)
Upper - Registration 008666000 (sort of), percussion 3rd harmonic, rotary can be turned on and off
The tweaky bits:
Mod wheel - overall volume
S1 - Overdrive
S2 - Percussion decay speed
S3 - Percussion volume
S4 - Lower manual volume
S5 - Upper manual volume
S6 - Reverb
K1 - Rotary Slow rate (not used, since I didn't include a way to switch between slow and fast)
K2 - Rotary Fast rate
K3 - Chorus/vibrato
K4 - Wet/Dry mix
Pedal 1 - Percussion on/off
Pedal 2 - Upper manual rotary on/off (This seems to take two taps the first time you use it in this stage setting, thereafter it functions normally. I haven't figured that one out yet.)
It should operate correctly without uploading the associated arpeggio needed to make the percussion envelope work properly. That still kinda weirds me out, but it seems to work.
319 downloads
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Landing Jet
By jaspeter in Miscellaneous
This is a hex layer attempt at the landing jet at the beginning and end of "Back in the USSR", by the Beatles. The zip file contains an MP3 of the sample so you can listen to it before you go through all the effort of loading it into the PX-5S.
69 downloads
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Let's Go - The Cars
By jaspeter in Song Ready Stage Settings
There are two stage settings here that I switch between for verse and bridge rhythms (phrases). I set them in two adjacent stage settings to easily swap between the two. The only really important controller is Pedal 2, which is the start/stop for the phrase.
The MP3 is a quick sample of the different sounds in the setting and, admittedly, sounds a little cheesy without the rest of the band playing along.
373 downloads
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Low Rider - War
By jaspeter in Song Ready Stage Settings
Simple, one-phrase beat. Nothing fancy, but fun!
196 downloads
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Updated