Hello all,
Some great replies, many thanks.
First, if anyone is wondering what my end goal is, I'm preparing to add this song to my group's songlist. After several decades and 21 previous versions of the group, we're down to just 2 members, me on guitars/vocals and a bassist/vocalist. I have a Tascam 24 track digital studio, and I build a drum track the drum machine and record it, then I add any additional harmony vocals and instruments required, such as keys, horns, etc. I have an alto sax, and I can get pretty good horn tracks using a couple sax tracks along with a trumpet or trombone voice from a keyboard. Once I get the backing tracks recorded I mix them down to a DigiTech Looper, with each song being a separate loop. It sounds really good, and our songlist is a mix of reggae/pop/new-wave/funk. Believe it or not those styles mix together extremely well. We play a number of songs with complicated arrangements, such as Our House (Madness), Steppin' Out (Steel Pulse), Beds are Burning (Midnight Oil), and Ghost Town (The Specials), but Babylon Sisters is by far the most complicated arrangement yet. The drum track took 2-3 weeks...trying to get the "Purdie Shuffle" duplicated properly was a task.
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I've been comparing the various presets while listening to Babylon Sisters, a number of them would work easily. Before getting the X700 I was using Behringer UMX490, and it was difficult to get the correct phrasing with that unit, as it does not have weighted keys. Not to mention I was using a Piano Box, and the tone of their only "Rhodes" voice was lacking to say the least. Try as I might I just couldn't quite get a result that satisfied me, it just sounded off. The CT-X700 action makes a huge difference, and immediately I was able to get a result much closer to the original song. The weighted keys facilitate the phrasing a lot better, and even with voices that aren't necessarily Rhodes-based (60's EP for example) the result is far better for things such as the opening Rhodes solo.
Epiano 4-6 seem to have somewhat of a bell tone, I can hear it when playing the 5ths on the low notes in the intro to the song. Dyno Ep sounds good, although it's a little too mellow. Dynamic EP is also good. But I decided on EPiano2, the tremolo is a little more than I would prefer, but it's acceptable. I may be able to play around with the EQ settings some on some of the tones, but I'm gettin' kinda weary after working on this piano part for more than a month...lol.
Too bad that some of the DSPs on the various tones are a bit much, at least for me. I can hear what sounds like a subtle phase shift on the Rhodes in the original recording of Babylon Sisters. Unfortunately the phase shift in EPiano3 is too stark, the amplitude is a bit large and the frequency seems to be around 2 cycles/second. On sustained chords the wow-wow-wow effect is noticeable and distracting.
I messed around with the chorus/flanger, but can't tell that it actually replaced the DSP. Testing a flange on Epiano3, I can still hear the wow-wow-wow sound on a sustained chord, or am I not applying the flange effect properly? I can't see in the manual where it says to press "OK", or enter or whatever. I wish I could just turn off the DSP on some of the voices, but that doesn't seem to be an option. But I'm wondering if I'm doing something wrong here and not applying the effect correctly.
Thanks again for the replies.
Ric