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  1. I initiate this "Accordion Tones Programming Challenge" for all CT-X users, with the desire to collaborate together in order to obtain tones as close possible to the sound of real acoustic instruments. I mention the fact that, to have an overall sound as natural and authentic possible, personally I prefer a very clean and dry setup configuration of the EQ and FX section setings, therefore I have only the Standard EQ and just a value of 8 units Cathedral Reverb in the general settings of my CT-X5000. For beginning, I propose this "Accordion 16′ stop Bassoon Register Tone" programmed by me in the ADSR Amplitude Envelopes and Filter sections : Bassoon1.TON The particularities of this tone consists in the fact that, in the first 125 milliseconds at the beginning the tone has an "Staccato / Spiccato" dynamic sound effect, followed after by an "Crescendo" gradual increase in volume, until it reaches the maximum value. Thus being him very suitable especially for solo performance (but also for accompaniment as well) in Romanian Folklore and Gypsy music, Balkan music, Jazz, and other specific music genres. Starting from this tone in the rough state, I challenge all of you to programming it in the DSP section (but in the other sections as well) and trying together to obtain the most natural and authentic "Accordion 16′ stop Bassoon Register Tone" possible. P.S. To understand better what accordion tone I want to achieve, I attaching these performances by the romanian accordion maestro Marian Mexicanu in Concert with the National Radio BNR Orchestra from Bulgaria : Here is used an "Accordion 8′ stop Clarinet Register Tone", but in terms of sonority is approximative similar to the "Accordion 16′ stop Bassoon Register Tone", just an octave higher. 🤗😘
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