XW-P1
176 files
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PP Rhodes
By piattica
My first try to have my Rhodes patch
layer 1: Rhodes
layer 2: Dyno Rhodes
layer 3: attack tines
layer 4: pad
0 downloads
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Working For The Weekend - Loverboy - Hex
Need this patch for an upcoming gig. Took a stab at it while not perfect, I think, it's better than I had.
It is my first patch so feel free to let me know if something is missing/wrong
I will try to do something similar on the PX-5S as I'm trying to avoid bringing 2 keyboards to the gig.
11 downloads
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Poly Saw modified
By Fábio Pavan
PCM patch. I improved the factory tone called "Poly Saw". Now it sounds more natural and similar to some 80s hits, and can also be used for different purposes, not only as a lead or main instrument.
Timbre PCM. Eu melhorei o timbre de fábrica chamado "Poly Saw". Agora ele soa mais natural e semelhante alguns sucessos dos anos 80, e também pode ser usado para diferentes propósitos, não apenas como lead ou instrumental principal.
34 downloads
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Reed Organ modified
By Fábio Pavan
PCM patch. I edited the factory reed organ tone.
Timbre PCM. Eu editei o timbre fábrica do harmônio.
18 downloads
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Celesta modified
By Fábio Pavan
PCM patch. I edited the factory celesta tone, to add delay and make it brighter.
Timbre PCM. Eu editei o timbre de fábrica da celesta, para acrescentar delay e torná-lo mais brilhante.
17 downloads
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Choir & Organ
By Fábio Pavan
Hex Layer patch, designed to play in Catholic churches.
Timbre Hex Layer, elaborado para tocar em igrejas católicas.
Choir&Organ.ZLT
12 downloads
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The Weeknd - Less Than Zero
By Fábio Pavan
Hex Layer patch. The keyboard is split into one pad and two leads.
Timbre Hex Layer. O teclado é dividido em um pad e dois leads.
17 downloads
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Van Halen - Dreams
By Fábio Pavan
Hex Layer patches. The first one is meant to play the song opening (acoustic guitar + pad), and the second one, to play the rest of the song (acoustic piano + pad).
Timbres Hex Layer. O primeiro foi elaborado para tocar a abertura da música (violão + pad), e o segundo, para tocar o resto da música (piano acústico + pad).
39 downloads
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PnoNFriends.ZLT
By ESTEVAO
GUYS THIS PATCH IS JUST AMAZING stereo classic piano with great Worship vibe on pad, choir, strings, even a big pipe church organ just amazing
PnoNFriends.ZLT
75 downloads
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EQ+Rev.ZPF
By ESTEVAO
This is for when you need a performance knobs on the go
EQ+Rev.ZPF
28 downloads
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Piano Comp.DS7
By ESTEVAO
PUNISH THE PIANO WITH A HUGE COMPRESSION POPING UP THE LOW END ON THE SPEAKERS
Piano Comp.DS7
47 downloads
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MOOGSinawave.ZSY
By ESTEVAO
For those who are crazy about moog for blues and jazz
MOOGSinawave.ZSY
49 downloads
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MoogSinawave2.ZSY
By ESTEVAO
Second version of the moogsinawave for blues and jazz
MoogSinawave2.ZSY
44 downloads
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Smooth Crossfading in a Hex Layer Tone
By AlenK
The attached zip archive contains two examples of crossfading between two waves in a Hex Layer tone. Crossfading is a much smoother way to transition between two waves with playing force than velocity switching.
In these examples the crossfading occurs between two waves that are sampled from the same instrument and which are used for the velocity-switched "60's E.Piano" PCM melody tone (P2-0 in the PCM Piano category). One sample was presumably recorded from a low-velocity strike; the other from a high-velocity strike. A key feature of the crossfading is that the full dynamic range of the instrument is maintained over the velocity range.
One example—3-SEG_XF.ZLT—uses all six layers while the other—2-SEG_XF.ZLT—uses only four layers, leaving the final two layers available for introducing other waves. Two additional files are included in the zip archive: TESTVELO.ZSS and TESTVELO.ZPF. These can be useful to test for the smoothness of the transitions between each segment in the final tone. The first file is a sequence that repeats the same note at increasingly higher velocities over the total velocity range. The second file is a Performance that calls up the sequence and the tone. The Performance is required only because the single active track of the sequence needs to point to Part 1 not Part 14. That assignment can only be done from within a Performance. Load the Performance, the sequence and the tone wherever you want in your XW-P1 then edit the Performance to tell it where you put the sequence and the tone.
A full description of how the crossfading is accomplished can be found here.
117 downloads
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Synth Bass from "Fade to Grey" by Visage
By AlenK
Fans of 80's New Wave music will certainly know about the song "Fade to Grey," which was released in 1980 by Visage. That group inspired the "New Romantics" movement that later spawned Duran Duran and Spandau Ballet. Several members of Visage went on to greater fame as members of Ultravox. This bass tone was originally done on a Polymoog with studio effects added later in production. The original tone can be heard in the following video (which is the original video for the song) starting from about 9s in:
https://m.youtube.com/watch?v=vMPR6Ujop4k
PS. A full description of how the emulation was crafted is provided in The XW-P1 Companion: Volume 2 - Emulation Examples.
141 downloads
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Growl Saxophone Tones
By AlenK
Here are some "growl" saxophone tones. A growl-saxophone tone is the kind of tone you get out of a saxophone when you hum while blowing into the reed. The characteristic growl sound has been used often in rock, pop and jazz music; so much so, that it has become almost a cliche. Most ROMplers include such a tone based on samples of a real saxophone played that way. The XW-P1 doesn't, so such a tone must be synthesized instead. Fortunately, the DSP effects make it relatively easy to get reasonably close.
The attached zip archive contains three solo synth tones and a PCM melody tone. One of the solo synth tones is simply the ordinary tenor sax sound for comparison. Another, "TenorSaxGrwl," uses the solo-synth's ring-modulation DSP effect while the third solo-synth tone, "TenorSaxGwl2," uses the Autopan effect to create a very fast tremolo (an actual tremolo DSP effect is not available to the solo synth). The PCM melody tone uses the tremolo DSP effect.
191 downloads
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backup biblioteca
By Polattus
HEY THERE...
here you found my library...
please comments
131 downloads
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Yazoo - Nobody's Diary Intro - do Casio XW P1 oryginał
By Grzegorz
Grzegorz Grzybek Zabrze Polska - czekam na opinie ☺️
aiggrzybek@gmail.com
65 downloads
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"Synth" Tone from "Won't Get Fooled Again" by The Who
By AlenK
This is certainly not the first time an emulation of the "synth" tone from "Won't Get Fooled Again" (1971) by the Who has been presented here. "Synth" is in quotes because the main sound originally came from an organ, which was merely processed through the filter of an early British synthesizer, the EMS VCS 3. This version combines ideas from both Brett Myor and "Bigmark" who released multiple versions of this emulation to the site some time ago. I haven't downloaded or tried them; hopefully this one is not just repeating what someone else has already done.
The zip file contains two required components: a Performance and a user effect. Store the effect where you like in your XW and edit the Performance to point to it.
This was created on an XW-P1. However, the only thing stopping it from working on an XW-G1 is the location of the required preset PCM tone Full Drawbar (P6-0 in the PCM Piano Category). The XW-G1 has the same tone in its presets but stored in a different location, namely P140. (PCM presets are organized differently on the two keyboards.) Hence, if you edit the Performance to use P140 it should work on the G1.
PS. A full description of how the emulation was crafted is provided in The XW-P1 Companion: Volume 2 - Emulation Examples.
174 downloads
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String Section
By AlenK
The XW-P1 seems to have plenty of PCM tones that emulate the sound of a string section of an orchestra but they evidently are all based on a single set of samples. The resulting sound is somewhat strident. While that fits well with some types of music it doesn't fit well with others. This is an attempt to create a more lush, "Hollywood" kind of string sound. The result is far from perfect - the XW-P1 just doesn't have the required samples - but it is somewhat better than the default string-section sounds.
Note that when the tone is first called up, it is necessary to jog the modulation wheel in order to hear the tone at its proper volume. The modulation wheel is used here as a real-time expression control much like how sample libraries use it rather than for vibrato.
Note that the softer string-section sound is accessed with velocities from 000 to 090. A slightly more marcato sound is triggered with velocities from 091 to 110, and the P1's "standard" string-section sound with a marcato attack is triggered above velocity 110. If your playing style differs from mine, you might have to customize those velocities.
PS. I initially uploaded a version of the file with wrong velocities. I am not sure I successfully corrected that so be sure to compare what is in the file with the velocity ranges described above, which should also match those listed in The XW-P1 Companion: Volume 2 - Emulation Examples, where you can also read about how the tone was crafted.
221 downloads
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Pseudo-Envelope Controlled Filter Sweep of Hex Layer Tone
By AlenK
Here's an example of a filter sweep for a Hex Layer polyphonic tone. This is accomplished using a "pseudo-envelope" created using the step sequencer, which is used within a Performance to modulate the center frequency of the bandpass filter in the Wah DSP effect within a custom Hex Layer tone. The tone is based on the preset tone "Analogued" (P2-8) but modified with a different attack and to turn off the LFO in the Wah effect. A so-called "Null" arpeggio is used only in zone 2 (which consequently becomes silent) in order to trigger the pseudo-envelope on every keypress to emulate a real filter envelope. You can read more about the technique here.
There are four components in the zip file: a Performance, a custom Hex Layer tone, a step sequence and an arpeggio. Load them where you want to in your XW synth. Now edit the Performance to point to all of the other components.
NOTE: The control of the step sequencer necessary to create the pseudo-envelope requires that "S.Seq NRPN" be "On" in the MIDI settings menu; see page E-70 in the User's Guide. This is a global setting that is not saved in each Performance, hence you must enable this as a separate step.
130 downloads
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