XW-P1
174 files
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Annihilation Hex Layer
By Peter
Experimenting with inverse Saw waves. Play with DETUNE. I usually set it to 0, 10, 12 or 14.
135 downloads
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Bretharp
By BrettM
Here is my submission to the harmonica challenge. Solo synth tone created on G1. The PCM wave number may need to be changed to 0152 to get it to work on a P1.
Version 2.0, updated following my suggestions in http://www.casiomusicforums.com/index.php?/topic/5550-harmonica-challenge/
135 downloads
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Callisto Hex Layer
By Peter
Variations:
-detune 16 (just set the knob in the middle)
-detune 4, lower the cutoff a little, and play "Calypso" from Jean-Michel Jarre (maybe not the same sound but I played that song a lot with this tune, hence it is "Callisto" not "Calypso" )
-detune 1, DSP PARAM B set to 0, KNOB K4 to 0
133 downloads
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CAVERN GUITAR
By amaverick
A hex layer tone. Same effects and reverbs as my cavern flutes hex tone,except I replaced the flutes with Guitars.
Sounds like a guitar being played in a cavern.
133 downloads
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Synth Bass from "Fade to Grey" by Visage
By AlenK
Fans of 80's New Wave music will certainly know about the song "Fade to Grey," which was released in 1980 by Visage. That group inspired the "New Romantics" movement that later spawned Duran Duran and Spandau Ballet. Several members of Visage went on to greater fame as members of Ultravox. This bass tone was originally done on a Polymoog with studio effects added later in production. The original tone can be heard in the following video (which is the original video for the song) starting from about 9s in:
https://m.youtube.com/watch?v=vMPR6Ujop4k
PS. A full description of how the emulation was crafted is provided in The XW-P1 Companion: Volume 2 - Emulation Examples.
133 downloads
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Effect 4
By Peter
Need help with this tone, here is the topic
http://www.casiomusicforums.com/index.php?/topic/6222-resonant-filter-popping-in-solosynth/
132 downloads
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MidnightBell Hex Layer
By Peter
Slam some octaves with your left, play random notes with your right. Wait for the Ghostbusters to arrive .
131 downloads
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Pseudo-Envelope Controlled Filter Sweep of Hex Layer Tone
By AlenK
Here's an example of a filter sweep for a Hex Layer polyphonic tone. This is accomplished using a "pseudo-envelope" created using the step sequencer, which is used within a Performance to modulate the center frequency of the bandpass filter in the Wah DSP effect within a custom Hex Layer tone. The tone is based on the preset tone "Analogued" (P2-8) but modified with a different attack and to turn off the LFO in the Wah effect. A so-called "Null" arpeggio is used only in zone 2 (which consequently becomes silent) in order to trigger the pseudo-envelope on every keypress to emulate a real filter envelope. You can read more about the technique here.
There are four components in the zip file: a Performance, a custom Hex Layer tone, a step sequence and an arpeggio. Load them where you want to in your XW synth. Now edit the Performance to point to all of the other components.
NOTE: The control of the step sequencer necessary to create the pseudo-envelope requires that "S.Seq NRPN" be "On" in the MIDI settings menu; see page E-70 in the User's Guide. This is a global setting that is not saved in each Performance, hence you must enable this as a separate step.
128 downloads
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Hungarian Minor UP
By wombatguy
The Hungarian Minor scale
.ZAR Areggio Data File
Enjoy!!
125 downloads
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MYTHICGUITAR
Hex layer, AN ACOUSTIC GUITAR PAD. TWO RIGHT SLIDER'S WILL ADJUST DELAY TIME AND AMOUNT.
121 downloads
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What??
By AlenK
Here’s an interesting sound I discovered by accident. I named it after the reaction I had when I first heard it.
The basis for this Hex Layer tone is a mix of two waveforms: Sy_MM Ramp (658) and Sy_MM Saw (659). They are perfectly complementary; the same waveforms with opposite phases. If they are mixed together with the same amplitudes and at the same pitch they exactly cancel and you hear silence.
If, on the other hand, the pitch of one is offset a little bit, as they are here they will cancel only at the start of the note and then drift out of phase as the note progresses. The result is a thin pulse tone that changes to a square wave, the rate of change depending on the pitch offset as well as on the pitch of the note you play. If the note is held long enough the waveform will change back to a pulse and cancel out briefly again cyclically. It’s essentially a controlled form of pulse-width modulation.
Another tone that layers this one with additional elements to achieve something a lot more powerful can be found here.
120 downloads
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backup biblioteca
By Polattus
HEY THERE...
here you found my library...
please comments
119 downloads
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Bass&Har
By maarkr
This is what I started for the 'harmonica' challenge. Split bass and attempt at harmonica, but looking for a 'good' harmonica.
117 downloads
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