About This File
I did this a while ago while for the Edgar Winter classic after reading an article in Keyboard Magazine called "The Art of Synth Soloing: Edgar Winter's Frankenstein Revisted.
The bottom part of the stage setting is for the middle solo which has a trill effect built in.
The second sound is what I used for the melody lead. I was never really that satisfied with it.
On D6 is the dramatic synth sound after the solo. I use S1 to emulate the ping pong effect leading to the drums coming back in. I am by no means an advance programmer and would love if the more experienced members could improve on this stage setting if possible.
