WMDkeys

You can control the filter cutoff for the synth brass sound at the bottom as needed throughout.
 
The top part is for the melody in the middle and riffs throughout.

I did this a while ago while for the Edgar Winter classic after reading an article in Keyboard Magazine called "The Art of Synth Soloing: Edgar Winter's Frankenstein Revisted.
 
The bottom part of the stage setting is for the middle solo which has a trill effect built in.
 
The second sound is what I used for the melody lead.  I was never really that satisfied with it.
 
On D6 is the dramatic synth sound after the solo.  I use S1 to emulate the ping pong effect leading to the drums coming back in.  I am by no means an advance programmer and would love if the more experienced members could improve on this stage setting if possible.